Thursday, April 19, 2012

To Dick Clark and The People Who Make It Look Easy

We humans often devalue talent.

There is the story of the Parisian woman who was on her way to a fancy ball when she realized that she needed a hat. Panicking, she rushed into the shop of a local and famous hat-maker who was in the process of closing his shop for the night. "Quick, I need a hat immediately."

The hat-maker had no materials but for a single ribbon. He took it and gracefully wrapped it around her head until it adorned her beautifully.
"This is perfect," she gushed. "What do I owe you."
Sizing up the situation, he answered, "Ten francs."
The matron was outraged. "Ten francs!," she exclaimed. "For a ribbon?"

With that, the hat-maker lifted the ribbon off her head and handed it to her, unfurled. "Madame, the ribbon is for free," he told her.

With the passing of Dick Clark, I thought of all the different things he seemed to do so easily, emphasis on the "seemed." He hosted American Bandstand, seemingly just a music program, yet he successfully and fundamentally changed popular music in the U.S., spreading it coast-to-coast from a little studio in West Philadelphia. 

When the Grammys had a stranglehold on music awards, even though they represented blandness rather than popular or critical tastes (the awards were founded as a way to promote "good" music rather than the evil rock 'n' roll), he created the American Music Awards as an antidote, and his creation took hold and gained its own legitimacy. 

Yes, that brightly lighted ball came down in Times Square every New Year's Eve, but it took Dick Clark to make it an event that we all watched, while others could only imitate him. 

And never did he seem so effortless as when he hosted a game show titled The $10,000 Pyramid (upgraded since as a result of inflation). Many years ago, I was at a taping of the show, trying first to get on as a contestant and subsequently watching as part of the live audience. Mr. Clark glided from one role to another, making the players and the audience feel equally at ease. There was a bit of drama when a contestant insisted that he had answered a question correctly. If it were true, then he won the $10,000.

Mr. Clark cut to a commercial, rallied the technical staff and looked appropriately concerned when he announced that they would play back the audio to see if the young man had indeed provided the right answer. It turned out that he had, sotto voce, and it was captured on the audio track. Everything was under control and justice was eventually achieved, all under the smooth guidance of one Dick Clark.

Yes, we have the hat-makers in our lives, the alchemists who turn lead into gold, people who accomplish great and effective things, yet somehow make it look easy because we do not appreciate the skills they bring to bear. We underestimated Cary Grant for years, didn't we? Wasn't he charged for years with "always playing Cary Grant?" And yet when he received an honorary Academy Award, and the TV audience saw the wide range of parts he play, from the grieving father losing an adopted child in Penny Serenade to the burlesque of Arsenic and Old Lace, we were ashamed at how we had not recognized all that he could do. Others not appreciated in their lifetimes? Galileo Harry Truman. Billie Holiday. Dwight D. Eisenhower, as President. Preston Sturges.  Vincent van Gogh. Being ahead of your time is a bitch.

Legendary coach John Wooden said that "Winning takes talent; to repeat takes character." Let's not forget those among us who capitalize on their talents to do great things and then have the fortitude to be more than flashes in the pan. And with that, let's lift the glass one last time to Dick Clark, for his grace and his accomplishments. We are not likely to see his kind again any time soon.

2 comments:

  1. Exceptionally well said, Pat. You speak for so many of us who will continue to be amazed at Dick Clark's talent. More good news: Reports from those who knew him well confirm that was a darn nice guy, too.

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  2. Thanks, Dr. Bill. A woman wrote a story in The Philadelphia Inquirer about how her mother was walking her down Market Street in Philadelphia (site of the "Bandstand" studio) about 55 years ago. Mr. Clark was walking by casually and remarked that the baby was one of the most beautiful he had ever seen. Then he kept walking
    The mother was surprised when Mr. Clark came running back and handed her a silver dollar as a gift to the baby.
    The "baby," now a middle-aged woman, still has the coin and a great story about Dick Clark.

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